When researching for this project, my main inspiration for the interview style was a piece I watched in class called 'American Promise'. The interview style of the interviews was different for both the children involved in the piece and the adults. The piece used mainly a direct interviews style when interviewing the kids and indirect when interviewing the adults. Seeing this, my group and I preferred the direct interview style and so it is illustrated in our documentary.
| Main subjects of 'American Promise' in an interview |
The goal of our documentary, "Lineage" was to exemplify what intergenerational activities mean in the context of theatrical productions. We strived to represent the south Florida theatre community by interviewing 2 extremely active members of Inside Out Theatre Company, an extremely prevalent community theatre company that has been active in south Florida since 1998.
The 2 members we chose were Lito Becerra(54) and Brandon Jerry(18), these two have been working with Inside Out Theatre in varies different productions and even met during Inside Out Theatres Production of 'The Hunch Back Of Notre Dame" about a year ago when they worked along side each other playing Clopin and Quasimodo.
When deciding who we wanted to interview we made to sure pick people who were in vastly different stages of life but still shared one common interest, there commitment and passion for theatre. Our goal was to represent the whole of the theatre community in south Florida, and given that south Florida has one of the largest hubs for the International Thespian Society, we knew that Becerra and Jerry were an excellent representation.
Looking back, I wish we would've been able to get at least one more perspective from someone a little younger, perhaps someone in the early years of high school or middle school. This would've helped to in having a more accurate representation of the intergenerational theatre community in south Florida. However, when we talked to the owner of Inside Out Theatre Company she explained as this would be hard for us to do as they would be minors and since we were working in her rehearsal space that would make her legally responsible for them and their safety so, we opted against it for her and the child's sake
Moreover, our target audience was of course those interested theatre as well as anyone interested, but unsure, of participating in a multi-generational production rather than age specific one. With this in mind, and also realizing that this audience would likely have a wide age-range we made sure to create a piece that was geared towards all age ranges. This was difficult as, being teenagers, we all were looking at the project from the lens of a teenager. This forced us to take a step back many times to try to look at the piece from an outside lens, not only from the lens of a viewer but from the lens of someone at a much different stage of life than us.
Through this, we were able to create a piece that was engaging to the full range of our audience.
Furthermore, we engaged with our audience by creating a sense of community within our documentary. We did this by including footage of rehearsals and productions that exemplify intergenerational activities a long with structuring our interview questions in a way that would guide the interviewees to talk about the community that such activities have built for them.